If at least one person died, the Mask will grow stronger from Rick's suffering, and will taunt that it will continue to exist as long as there is human suffering before it breaks apart. There are four possible endings, depending on if you save Jennifer and David, save one or the other, or fail to save them both. Rick decides to settle the score with the Terror Mask once and for all. Upon defeating the Evil One, the Mask finally reveals its true intentions - with nothing in its way, its consciousness will possess and usurp the Evil One, taking over the world. Regardless of the outcome, the Evil One appears in its physical form to unleash the power of the Dark Stone itself. Rick goes to the temple's altar which resides in another dimension to stop the act. To accomplish this, David is also to be used in a ritual under the full moon. The Mask explains that the "Elders" imprisoned the world's Black Magic into the Dark Stone, and if it is freed then its storm will once again plague the world. David's latent psychic abilities are necessary to unlock the power of a demonic object known as the Dark Stone, which is the final object in the way of the Evil One's return. In the end, this is revealed to be a distraction, with the Evil One's real plans involving David. He has to fight the Giant Boreworm to free her before they convert her into a mindless beast. Rick first makes his way to Jennifer, who is being tortured by Boreworms. Seeing that Jennifer and David are nowhere to be found, Rick reluctantly dons the Mask for the third time and must fight the monsters that have invaded his mansion. The Mask senses the ancient energy that it recalls from ages past and comes to Rick when he arrives home that night, saying that it will lend Rick its power to thwart its nemesis. Jennifer and David were chosen as the key components for the Evil One's resurrection during the night of the lunar eclipse. Meanwhile, due to the "forbidden seal" that was broken during the events of the previous game, a devilish cult of creatures emerge that have been secretly seeking the revival of a dark deity that once ruthlessly ruled the world. He has also bought a mansion in a Connecticut town (according to the English instruction manual). Rick has been able to put the memories of the Terror Mask behind him, becoming successful on Wall Street. Rick and Jennifer have since married and had a son named David. The game takes place about five years after the events of Splatterhouse 2. It also bears a resemblance in gameplay to Double Dragon and Final Fight. Truly horrific, unapologetic, unmitigated, & unrelenting badassery from Mr.Released in 1993, it is the third and final game of the original Splatterhouse trilogy. Puga just gave me nightmare material for the next year or so, and Mak unwittingly provided the perfect soundtrack. If they can work in Paddington as part of the origin story, all the better. damn."īrilliant someone needs to start a new horror film franchise based on that EXACT premise, ASAP. If I ever need to battle a possessed Teddy Ruxpin to the death, I couldn't think of a more befitting theme for my troubles, though I'd need to transfer it to a cassette tape first. It hit the tone we were going for in spades, even adding a bit of creepiness & fear into the equation. When Mak submitted a wip for the project I knew we had to have it. I was always fascinated by just how dark & violent the game was, especially by the standards back then. "I never played Splatterhouse, but I remember seeing others play it as a kid. Manic, alarming, disturbing, and liable to have you questioning your sanity, Mak's really turned this one up to 11 and conjured some seriously sinister sounds. Not to be confused with THE Hunger (which is neverending), this arrangement of the boss named "Teddy Bear" will have you looking at stuffed animals in a whole new way. Still, I love melodic music, so I tried to make it hard, heavy, powerful and beautiful. Source tune has lot of mystery stuff, IMO, but lack of power and hardness. I chose this source because it was easy to work with. I want to play the first game, but I can't find it. We actually posted a creepy-as-all-heck arrangement of Splatterhouse 3 by Beckett007 back in 2008, but this track - our third posted ReMix from Mak Eightman - goes in a much more aggressive, in-your-face, run-for-your-life metal approach, as befits its inclusion on BA2:
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